Art for Sale

Influences, Process and Approach

Inspiration and Influences

My work in ceramics is deeply inspired by Brutalist and primitive architecture, as well as the creative legacies of Carlo Bugatti, Paolozzi, Kandinsky and Miró. Drawing upon their distinctive textures, forms and colours, I reinterpret these elements within my own ceramic creations, forging a connection between historical artistry and contemporary expression.

From Sketch to Sculpture

The creative process begins with meticulous sketches. These initial drawings are then translated into hand-built ceramic forms. Interestingly, the act of making often transforms these pieces, leading them to evolve into something entirely different from the original concept. This transformation is a testament to the dynamic nature of working with ceramics.

Constructing Sculptural Works

My ceramic wall and standing sculptures are composed of interlocking geometric elements. These are further enriched by the incorporation of found objects and industrial tools, which are built up and integrated into the artwork. This method adds depth and complexity to each piece, highlighting the interplay between planned design and spontaneous discovery.

The Pareidolia Concept

The concept of Pareidolia, initially explored through ceramic brooches, is expanded into larger works. These pieces evoke whimsical, otherworldly creatures that bring humour and imagination into the realm of ceramic sculpture.

Materiality and Techniques

Using clay as a primary medium allows me to imitate and reshape everyday life, encouraging viewers to reconsider how commonplace forms are perceived. Collaging clay with repurposed and recycled materials—including locally sourced metal and wood—further enhances each sculpture, creating novel experiences of ceramic art.

Creative Process and Background

Shapes and patterns often appear in my dreams, and I bring them to life with clay each morning. This daily cycle is marked by a series of reactions and ideas, each building upon the previous, resulting in a fluid progression from one concept to the next and often leading them to evolve into something entirely different from the original concept. These observations are then amalgamated into either a singular large piece or a series of ceramic sculptures. My training as a textile designer plays a significant role in this process, allowing me to recognise patterns and instances of Pareidolia in everyday objects.